TIME magazine covers: worldwide differences
Selective variations might, on the face of it, appear as censorship, but…
→ Continue reading TIME magazine covers: worldwide differences
Selective variations might, on the face of it, appear as censorship, but…
→ Continue reading TIME magazine covers: worldwide differences
This lovely publication dropped through my letterbox the other day — the first issue of Boat Magazine.
When I get creative block, I find it helps to return to design in its most natural form.
A few features of interest from the design blogs I follow, and more.
→ Continue reading Pitching for design work in floating cement factories
A gallery of the end titles from Warner Bros. movies (1924-1967), collated by designer Christian Annyas. Mouse-over each image (there, not here) to reveal the movie.
“If one shop, business, bench or sign is improved due to the work we are showing in here, then we will consider it a success.”
“But that same image, when multiplied a number of times, is often irresistible.”
— BOB GILL
Designer and AIGA Medalist Steven Heller commentates on Olympic pictograms through the ages in a short video from the New York Times. Watch it after the jump.
The photo above shows Otl Aicher’s famous Munich 1972 pictograms. If you know who the image belongs to, please let me know. It’s a great shot and deserves credit.
“Only too often, [spec work] results in a client eventually having to bring a more experienced designer onto a project in order to execute it.”
Last month I sent out a call to design students and graduates, asking what should be included in an ideal graphic design course.
Here’s the lowdown.