Logo design, logo designer | Logo of the month #9

 

Logo of the month #9

The Guild of Food Writers logo

The Guild of Food Writers (GFW) is an established organisation dedicated to excellence in food writing and culinary education.

Their logo was designed in 2005 by 300million, one of the UK’s top agencies. The creative directors were Matt Baxter and Martin Lawless, with Katie Morgan and Natalie Bennett working as logo designers.

The pen is mightier than the pudding, but they co-exist more than happily in this award-winning identity.
Quoted from Logo, by Michael Evamy.

300million show only the mark in their online portfolio, and not the accompanying text, seen on the GFW website (pictured below).

The Guild of Food Writers logo

The website was designed by Horwich IT Services, and it’s my guess they were responsible for the logo typography.

The type treatment is awkwardly spaced, and the logo background isn’t helping either. Not only does the graduation significantly hinder text legibility (squint a little, or step back when viewing), but it also removes the deserved emphasis a solid background would offer the mark.

The mark alone is fantastic — great idea — but it could be applied to the website in a much more professional nature.

What do you think?

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54 spot-on reader comments to “Logo of the month #9”

  1. Brilliant mark; horrible execution. That’s one of those kinds of combinations (spoon and fountain pen tip) that rarely comes around, but the execution is abysmal. 300million was smart to display the mark and not the horrible typography (expanded Arial?! Seriously?! The “committee” couldn’t have gone with anything better like Hobo or an italicized Comic Sans?) that is displayed above. Pity.

  2. Brilliance really is in the simplicity of a logo, isn’t it? Great find! Thanks for sharing it.

    Douglas Karr’s last blog post…Sometimes You Can’t Prepare Enough

  3. Great logo without the text and gradient. Seems to me that the client wanted to accompany the text and the design agency lost the fight! :) I too have worked on many designs that I was initially happy with until the client choose to make “some” changes. In the end, I choose the initial design I was satisfied with to show in my portfolio. Anyone else do the same?

  4. The mark is beautiful. Simple and iconic. But I was really disappointed when I scrolled down to see its placement on the website. Ugly colors, harsh gradient, bad type… Great logo, nonetheless.

    Thanks for sharing, David. Nice choice for logo of the month.

    Alec Rios’s last blog post…Some Gorilla Photos

  5. Quote: “I’m not keen on the type treatment, which is awkwardly spaced, and think the graduation behind the logo isn’t helping either.”

    That’s because the website design (and most likely the type) hasn’t been produced by 300million. Looking at the footer information, the site was designed by Horwich IT Services, and looking at HITS’ site, they don’t exactly give the appearance of a good design firm! So I don’t think we can really pin the poor implementation on 300million…

  6. It’s hard to believe the two are the same, a good find indeed…

    Thanks David.

  7. A gorgeous and simple mark. I wonder how many people miss the spoon imagery completely when initially seeing the image…

    Jeff Fisher LogoMotives’s last blog post…Never tell a potential client: "Your logo sucks!"

  8. Congrats on making the list of Top 20 blogs on SpotLightIdeas.

    http://www.spotlightideas.co.uk/?p=302

    All the best.

  9. A great logo will become ordinary if the execution is ordinary.
    Good article, David.

    Niyaz PK’s last blog post…The pigeonhole principle

  10. doug,

    You’re right. The possibility of combining two elements in such a way isn’t very common, and is seen more in the personal work of logo designers. To have it executed for a large organisation is great.

    Douglas,

    You’re welcome big fella. I hope the weekend’s going well.

    Brian,

    I’ve also, on occasion, chosen to use ‘draft’ designs in my portfolio, rather than the ‘actual’ outcome. It makes sense to showcase the work you’re most happy with.

    Alec,

    Thank you. I’m sure there’ll be less contention over this month’s choice than there was last month. :)

    Jonathan,

    Good of you to add those sentiments. I never meant to imply that 300million were responsible for the type treatment, and have re-worded my post to clarify.

    Jeff,

    I wondered the exact same thing, and it’d certainly be interesting to know.

    CyberCelt,

    I was a little surprised, to say the least, seeing me mentioned in such company.

    Niyaz,

    Thanks buddy. Hope you’re keeping well.

  11. I was a member of the guild when the logo was commissioned. However, I wasn’t involved.

    I believe the text in the example above wasn’t added by the agency, but by another party - a member of the guild commitee or their web ‘designer’ perhaps. From recollection, the original mark had the text of ‘Guild of Food Writers’ sideways and vertically as the remainder of the pen… However, I can’t seem to find this version online.

    All the best,


    Ian

  12. Hi David,

    This logo works very well. I really like it’s simplicity. The implementation on the website is not too pleasant for the eye. It’s interesting how the GFW, after getting their logo designed by one of the top UK agencies, end up with this webdesign.

    By the way initially i got the spoon but missed the pen it took a few seconds to catch the whole picture. Maybe something with my brain’s wiring.

    Szabi’s last blog post…Creative Look Around

  13. Well, I saw a keyhole, wondered why there was a slit and then promptly thought of rather intimate body parts (and I don’t particularly have a dirty mind in general. No, really.) I don’t see a spoon at all. Not particularly good image branding going on if a pen nip isn’t the conceptual visualization that happens at first glance.

    I also find the image harsh and too… bold? straight? angular?…. but I think that’s personal preference more than anything. Had the logo been tipped and leaning against the T of the title in some way, it might have appeared more casual and friendly. Personal preference, again.

    Oh hell. NOW I see the spoon (only it looks like a spatula to me). It’s upside down. Yeah, I could’ve done without that.

    That was fun, David, thanks!

  14. I really like the logo mark too (subtle spoon and nib—very nice), though the web site is a disaster. The colour, the outlined text, too little room for the logo mark to breathe, and … I’ll stop there. Just one more thing: when the logo is set in black, it highlights the nib/pen concept; that’s almost lost in the white on i-don’t-know-what-colour background on the web site.

    johno’s last blog post…Type and Media Masters

  15. I like the logo a lot but that is one dated and depressing treatment on the website. Every designer’s worst nightmare enscapulated in two images.

    Martin Baker’s last blog post…Apple’s Get a Mac ads are back on form

  16. I missed the spoon at first and thought it was a regular nib. Which, I thought was pretty weak. Seeing the spoon made me appreciate the logo much more.

    I wonder how it would have looked with a fork instead?

    zieglarf’s last blog post…Choo Choo

  17. It took me a while to notice the spoon, but it’s very clever. The website though… yuck. It’s a bit like having a beautifully-crafted canapé and squirting mouldy tomato ketchup all over it.

    Josh’s last blog post…The virulent sandwich of summer holidays

  18. Wow, I agree, the logo its self is brilliant when it’s simply black and white, and just the mark its self, but when they used white on a purple and white gradient background with the awkward type… well that just killed it… It’s a bummer when good logos go bad.

  19. GOD, This logo is the kind of work that makes me wish i had designed it. It’s so beautifully smart and would be a joy to show off if it wasn’t for the secondary addition of the type which is absolutely quiet possibly one of the worst type treatments ever and don’t get me started on the website execution. I think this is clearly a logo that was designed and then handed over to someone else with more programming knowledge than design. It’s such a pity for a great symbol.

  20. I agree with the masses - the logo is great, the use of such not so.

    The site design is poor in many ways, and the first (and a very important one) is that the logo does not stand out at all. There is more attention given to making the the site menu appear interesting than the logo. Yes menus should be easily recognisable, but from a branding perspective, the logo should be first and foremost.

    Looking at the site of the company responsible for the web work shows their own logo does raise some questions as it appears they (he) are more focused on the IT side of the equation than design. Perhaps more deliberation with regard to vendor selection was required.

  21. Fabulous logo, horrifyingly used.

    Great report David.

  22. Love the logo but that website is naff.
    Gradients are so 90’s.

    Jo Fletcher’s last blog post…ze scribbler

  23. When I see logos like this it always reminds me of something a critic once wrote about Stephen King: “At this point he could probably publish his grocery list and make money off it.”

    Doug C.’s last blog post…Just the FAQs, m’am, just the FAQs…

  24. Brilliant logo, disgusting use of it. The GFW is really to blame here. Why do you go ahead and hire a top agency to design your mark and then have it hacked to pieces by some junk of a shop? I can’t stand when clients have no respect for design.

    Antonio’s last blog post…Sun Silo

  25. hey Bryan, that also happens to me, and when a client wants to make some changes and i dont think the same, i keep the original result for me

  26. Yeh great looking logo, it took me little while to see the spoon I was focused on the black shape thinking ‘how does it relate to food?’. Agreed, shame about the site.

  27. Yes GFW are to blame but I’d imagine this is a very common problem. If the client doesn’t have a sense of design and branding (and most small organisations don’t), what can the original designer do? I very much doubt GFW has a brand manager :-)

    Martin Baker’s last blog post…Apple’s Get a Mac ads are back on form

  28. Not spectacular but clever.

  29. Brilliant logo! Reminds me of the cleverness of the FedEx logo (with the arrow that one only notices at second glance). I love it. But like Zieglarf, I was wondering what it might have looked like with a fork instead. :)

    I can only hope that the website is some sort of ‘emergency-cobble-together-job’ to have something up until the ‘real’ website is ready. It’s also full of horrible JPEG images.

  30. This is a real shame, a really great logo that works very well in communicating what it needs to but then the use of the logo is terrible. They should have put forward some guidelines of use or maybe they did and these were ignored. 300million have managed to produce what I consider to be a timeless classic identity here! Excellent work

  31. I”m no expert…but I think the color of the website is horrible. The sppon in the pen tip is great.

    The Masked Millionaire’s last blog post…German Potato Salad

  32. Really bizarre that the client actually commissioned two companies at complete opposite ends of the scale!

  33. Ah, the old visual connections. 2+2=5

    Brilliant idea horribly executed. They have totally hidden the idea behind gradients and crap typography.

    Shame.

  34. Wow - well the comments have already said it to death, yet I feel compelled to comment myself.

    Huh…? isn’t this a bit like making cut off shorts out of a brand new Armani suit?

    I agree with Doug - “Brilliance… is in the simplicity of a logo” I love simple images like this - The designers seem to have done a fantastic job taking two simple images from seemingly far-removed settings and marrying them together to create a mark that communicates easily and beautifully.

    However, that’s where the project must have run out of budget and into politics, because the application of the image into the rather primitive website is nothing short of grotesque.

    Not sure what the whole story is there, but I’m sure it would make for a riveting dramatic day-time tv show. :P

    AzAkers’s last blog post…Introducing Pixlr: The Best Online Image Editor Yet

  35. Shame that such a good logo icon has been botched like that when in actual use.

    The use and application of the logo in all settings is as important as the original design itself.

    So did the original designers create the icon with bad typography I wonder or did someone meddle with it later on.

  36. Great article David, and quite a discussion.

    I looked at the logo for the first time, saw the pen, then smiled when I saw the spoon. Fantastic mark. Expertly designed. The thing I don’t understand is why the Guild of Food Writers went and spent good money on a logo design, but it looks like some big whigs cousin who’s learned web design when they were in high school. It’s CRAP! And I just don’t understand how the Guild let that happen. On their website, I NEVER EVEN NOTICED THEIR LOGO! It’s buried under a mountain of horrible design. Everything you could do wrong when designing a site, from making the logo unreadable and terrible typography to really poorly shot images.

    All around sadness for 300million. I’m sure they were disappointed to see their logo in such a place.

  37. Wow! What a fantastic mark and what a horrible type treatment. Shocking really. You should submit this image to the “crimes against typography” flickr group from your previous post.

  38. David, when I saw the logo and looked up for whom it was for, I had to agree it was good by itself.

    I even went into a did a quick improvization. I actually melded a fork and a nib. Do tell me how the concept is?

    And I totally agree, the website has been hastily put up, very 90s and somebody made a huge killing on the deal :)

  39. Brilliant mark! clever! It’s seems like pentagram’s work :)

    nice report.

  40. Like everyone who’s commented, I love this logo. But obviously, the implementation on the site is dire, to say the least.

    I only wonder if 300million supplied some sort of Logo Style Guide, whereby the rules of the permitted logo/icon usage were clearly spelled out to the client.

  41. Is there anyway one of us can petition the Guild of Food Writers to do a pro bono design for this beautiful logo? Someone out there could do a better job than who they commisioned. Please. Someone.

    mike’s last blog post…OSU Main Library Brochure

  42. Thanks so much for everyone’s continued comments.

    I’m currently moving house from Scotland to Northern Ireland, and will be slower than usual with comment replies. All my worldly belongings have been packed into my car (along with those of my girlfriend) — no mean feat! Combined with some fantastic ongoing client projects, I do hope you understand the need to respond with a group comment.

    Ciao for now.

  43. Whereabouts in NI are you moving to?

  44. Hi Jonathan,

    Moving to Belfast, or Bangor (where my closest family live). We’ll be renting a house for the short term, before looking to buy.

  45. I too think its a great logo, it reminds me of the ‘is it a candlestick or two faces?’ optical illusion. Its clean edges give it real class and presence, but this impact is totally lost on its integration with the site.

    I think they missed the chance of a great site design there.

  46. Very interesting range of comments. I have to say I’m in somewhat of a minority based on these comments - I initially saw the spoon, but it took me a good while to see the pen nib, whereas most people who didn’t initially ‘get’ both, saw the pen. I also thought I saw a keyhole and perhaps a stylised tulip… ah well, I guess it’s good to be individual…

    btw, hope the move is going well, David… remember to take time out to pick blackberries once you get there ;-)

  47. Reminds me very much of the Egg-n-Spoon logo. It was great there and it is also here. I love clever logos like this!

    LaurenMarie - Creative Curio’s last blog post…Enhance Your Designs with the Principle of Economy

  48. Oddly enough LaurenMarie, I just found this ‘Conception’ logo whilst browsing The Chase’s portfolio that’s quite similar to both the egg-n-spoon logo, and the Guild Logo:

    http://www.thechase.co.uk/portfolio/project.php?category=logos&project=4&pic=1

    Beautiful simplicity!

  49. A pearl bead in a mud hole doesn’t look very nice……

    Ram’s last blog post…Spec Vs No Spec - the great debate!

  50. @Jonathan, ha, wow… that is really similar!

    LaurenMarie - Creative Curio’s last blog post…Markzware’s Q2ID Plugin Review

  51. I think! might be the concept for that ‘Conception’ logo in the Chase’s portfolio is different with ‘The Guild of Food Writers’ logo, same treatment but different concept. We have to see the process and concept, before give a comment for both.

    ‘Conception’ logo: sperm and circle :))
    ‘The Guild of Food Writers’ logo: spoon and pen (nice logo but lost concept in website)

  52. Anne,

    The move is going well thanks. I’ve not come across any blackberry bushes yet, but I’ll not miss an opportunity. ;)

    Lauren,

    This one also reminded me of the Egg n Spoon design. Two excellent uses of negative space.

    Jonathan,

    Thanks for that ‘conception logo’ link. Great stuff.

    Ram, diding,

    Good of you both to add your thoughts.

  53. I really like this logo design it is clever yet so simple. i think my favorite logos are the ones like this a clever idea that communicates with simplicity. It is also certainly worth checking out the 300million website. The website design is different to any site I have seen before plus there is some really great work on there to.

  54. The logo is quite original and clever.
    But the purple gradient and the border around it is just horrible :(

    Jacky’s last blog post…Gip (Geintegreerde Proef)

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